The Leaping King Akimbo
every presumptuous romance knows beyond doubt
the soul is a seeker for the soulful
and the spirits are about and out in the glory of morning
crowned in light and adorned with its golden glows
a brewing cauldron of every metaphor for renewal
i walk beside the pasture
leaping from one world to the next
while sleepy insects stretch their bodies in the rhythms of their kind
they are soaking up the waking warmth of another new day
it is beautiful because it is more than what I can imagine
i think of the image of a broken man or a simple boy
he seeks to share his love of the sparkling plains
and the grand quiet
and I feel compelled to spit to mark the ground and scowl an eye
at his pompous lack of understanding
and entitled sense of worth in his opinions
calmness is expensive
some dream, some heart, some person died today
in a way i can’t imagine
i leap from one world to the next
and the grass beneath me splashes away in strides
i am the Moses of hoppers in the grass
hopping up and high away
into the reaching stretching flower’s budding heads
blooming in their upward reach
blooming when they reach as high as they can
i think that is why we must always reach as high as we can
to feed the bees and the wasps
the filthy flies and the suffering souls
each bloom its own and all a painting
no quilt was every so marvelous
were it not for the marvel our love for quilt makers
who are themselves a sea of stretching souls
how do we make our making greater than ourselves?
perhaps it isn’t true (a true question I mean)
perhaps we can only marvel at the many little things anew
and i leap from one world to the next
where the golden field communes with the soaring blue
where spider’s webs are drooping bowls of dew
covered with the lid of a celestial dome
they are speckled about in their elegant waves
answering the elegance of the grasses subtle swathing sways
i leap in worlds and fill a table, family warm
with modest wood and simple prayer
a mom, a dad, two kids, an empty chair
sparseness seems right for people
(though only with a wealth of sympathetic care)
their bowls are filled with one blood sausage
respect is a truth of nature
it waste nothing
and comes back to itself
though we dismiss it
because it never returns as its original
born again itself anew
change is constant and forever in every ever whichever
perhaps this is why symmetry is so striking
it whispers of potential
and escape
from our weak and wobbling selves
and finds the world without attuned to dreams within
as if we had the chance to understand
if we only looked our looking so
we’d soar above ourselves
in perfect balance
like the caterpillar’s oblong cocoon
tucked away from light and space in a womb
or may-well a tomb (depending on whose silk is spun)
to be reborn as a feast for the eyes or a feast in a dew colored bowl
i leap from one world to the next
Apollo gallops with the sureness of the blue round sky
as gnats flit about my eyes
they tilt my head and wave my hands
with the profound power of persistent pest’s prolonged prodding
i look down to get away
we look down when we’re escaping
from what we’re looking at
or what’s looking at us
so down i look
where the ground is filled with so many things
infinitely dismissible and interesting
did you know that insects move more biomass than all other animals combined?
its not even close
i think
i think i remembered that correctly…
i think until
the sun begins to burn my neck and fear looks me up
though fear is close the look looked far away
to there i see at the end of my thoughts a singing single tree
its stillness shares its formal dignity
as if something is certain in the world
and i rest the body of my soul on it
to see if it can hold the weight
and breath deep
to see if i can dive as deeply
to touch the bottom of its confidence
and a gnat flies up my nose
i go down in a snort
and leap from one world to the next
the arrogance of men is in inverse measure to their fragility
my blood is now rising with the sun
and i am ringing with cliché songs
about the presumptions of entitlement
and the fawning mob
a vaudeville scene of a woman fighting to give, gives all she can
and some jerk-off takes the boardroom credit
and the audience nudges and elbows
in varying degrees of snickers and sneers
and then an image appears:
two cords snake out from a screen
and jam their ends into the eyes of open onlookers
we’re fed through our eyes by the sights we see
and so often fed to the means of other’s ends
where do we look is what depends
two bloody sockets a front of our face
and a gruesome display most thick in cliche’
preys on our hopes and dreams and fears and weakness
i wonder: how real is the world we see?
and then a gnat flies in my ear and i duck away
like from a swinging axe borne pendulum
with my head again down
and so pestered now that I’m kneeling on the ground
genuflection unto contemplation
i leap from one world to the next
children are happier because they can’t see over the tall grass
they are closer to what pulls them down
where the crickets are a dome of sound
they echo in the valley of my mind as i stoop myself away
i close my eyes and listen
and my body melts into an endless blackness
to the size of all the hopping violins, now and ever
i stretch myself across the world
and float in an ecstatic sea
fluttering like a moth in the swimming air of night
a corked bottle lapping, warm waves, stars bright
i am nowhere
where effort gives way to bliss
builds to it and up
like the exhilaration of creation pouring from the void and through it
only to go back again
back to nowhere and nothing
i feel as though i could make something much greater than i am
and a truck trundles a belching rumble 151 yards from me
and the spell sputters stupid
it was always so stupid wasn’t it?
what else could i expect from me
i look up and two gnats flick my face
my knee now kneeling numb trips me onto a plant
poisonous, probably
one cheek is now wet
bathed in the glistening morning dew
i sit an akimbo king in the squinting splendorous steaming light
robed in the spirits of the golden morning
leaping in worlds